|
|
Shot
type
|
description
|
|
1
|
Long
shot with a deep focus
|
Shot
through government car window of homeless soldier
|
|
2
|
Close
up with a shallow focus
|
Shot
of government official looking out of window
|
|
3
|
Low
angle mid shot dolly shot
|
Shot
of car driving off
|
|
4
|
Cut
to Black
|
Text
‘ how far would you go’
|
|
5
|
High
angle shot
|
Clint
sitting against wall. Government official shadow passes over him.
|
|
6
|
Low
angle pov
|
Clint
looking up at government officials.
|
|
7
|
Cut
to black
|
Text
‘ to reclaim your life’
|
|
8
|
Wide
pan
|
Shot
of laboratory
|
|
9
|
Quick
cut close ups
|
Attaching
sensors to clints body showing his scars
|
|
10
|
“
|
“
|
|
11
|
“
|
“
|
|
12
|
“
|
“
|
|
13
|
Pov
shot
|
Flash
back to war
|
|
14
|
Quick
cut close up
|
Arms
and legs being tied down
|
|
15
|
Pov
|
Flashback
to war, looking at sky, and hands that are bloodied
|
|
16
|
High
angle mid shot
|
Head
set being attached
|
|
17
|
Pov
shot
|
Flashback,
medic resuscitating him, Clint looking at him. fade to white
|
|
18
|
Pov
(match on action)
|
Looking
at scientist as he starts to reach for the dog tags
|
|
19
|
Close
up
|
Hand
over the dog tags then rips them off
|
|
20
|
Mid
shot
|
Scientist
chucks the dog tags on the floor
|
|
21
|
Extreme
close up slow motion
|
Dog
tags bounce on the floor
|
|
22
|
Mid
shot
|
Scientist
grabs the leaver, pauses, then pulls.
|
|
23
|
High
angle – birds eye view mid shot which zooms into close up
|
Clint
laying on the chair, his eyes close as the camera closes in.
|
|
24
|
Match
on action close up, zoom out to long shot.
|
Zoom
out reveals clint in his new location
|
|
25
|
Mid
shot
|
Clint
touches wall and it liquefies
|
|
26
|
Wide
angle
|
Clint
turns to see his accomplice
|
|
27
|
Over
the shoulder shot
|
Accomplice
speaks and fades to black during speech
|
|
28
|
Mid
shot low angle
|
Of
scientists face looking down, corner of book showing
|
|
29
|
Pov
shot
|
Scientist
turning page to reveal a page missing
|
|
30
|
Over
the shoulder shot
|
Accomplice
talking to clint
|
|
31
|
Mid
shot
|
Clint
standing, cuts to black
|
|
32
|
Black
screen
|
Text
saying’ this summer ‘
|
|
33
|
Mid
shot
|
Clint
walks out of castle
|
|
34
|
Establishing
shot
|
Shot
of location
|
|
35
|
Close
up
|
Shot
of rear view mirror looking at clint in back seat
|
|
36
|
Mid
shot
|
Clint
looking out of car window
|
|
37
|
Dolly
shot
|
Following
antagonist into location
|
|
38
|
Close
up
|
Clint
rolling up sleeve to reveal army tattoo
|
|
39.
|
Close
up
|
Clints
face, taking deep breathe, cuts to black.
|
|
40.
|
Black
screen
|
Text
saying ‘from the makers of only takes a second’
|
|
41
|
Establishing
shot
|
Clint
in foreground villain in background, change from shallow to deep focus.
|
|
42
|
Mid
shot
|
Clint
turns and runs at villain.
|
|
43
|
Wide
shot
|
Clint
and villain running at each other, camera cuts as they collide.
|
|
44
|
Black
screen
|
Black
screen
|
|
45.
|
Hand
held shot
|
They
fight, clint in control.
|
|
46
|
Close
up
|
of
villain drawing weapon
|
|
47
|
Mid
shot
|
Villain
swings at clint
|
|
48
|
Black
screen
|
Black
screen
|
|
49
|
Mid
shot slow motion
|
Clint
falls to knees
|
|
50.
|
Close
up
|
Clints
face reaching out
|
|
51.
|
Titles
appear
|
Titles
appear
|
Monday, 16 December 2013
Shot list For Time Marine
Labels:
josh sloane,
luke escott
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Very effective planning with varied shots, interesting effects and key conventions applied.
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