|
|
Shot type
|
description
|
Audio and dialogue
|
|
1
|
Long shot with a deep focus
|
Shot through government car window of homeless soldier
|
Silence
|
|
2
|
Close up with a shallow focus
|
Shot of government official looking out of window
|
silence
|
|
3
|
Low angle mid shot dolly shot
|
Shot of car driving off
|
Silence
|
|
4
|
Cut to Black
|
Text ‘ how far would you go’
|
Score
|
|
5
|
High angle shot
|
Clint sitting against wall. Government official shadow passes over
him.
|
Score
|
|
6
|
Low angle pov
|
Clint looking up at government officials.
|
Score
‘we need your help’
|
|
7
|
Cut to black
|
Text ‘ to reclaim your life’
|
Score
|
|
8
|
Wide pan
|
Shot of laboratory
|
Score
|
|
9
|
Quick cut close ups
|
Attaching sensors to clints body showing his scars
|
score
|
|
10
|
“
|
“
|
Score
|
|
11
|
“
|
“
|
Score
|
|
12
|
“
|
“
|
Score
|
|
13
|
Pov shot
|
Flash back to war
|
Score
|
|
14
|
Quick cut close up
|
Arms and legs being tied down
|
Score
|
|
15
|
Pov
|
Flashback to war, looking at sky, and hands that are bloodied
|
Score
|
|
16
|
High angle mid shot
|
Head set being attached
|
Score
|
|
17
|
Pov shot
|
Flashback, medic resuscitating him, Clint looking at him. fade to
white
|
score
|
|
18
|
Pov (match on action)
|
Looking at scientist as he starts to reach for the dog tags
|
Score
|
|
19
|
Close up
|
Hand over the dog tags then rips them off
|
Score
|
|
20
|
Mid shot
|
Scientist chucks the dog tags on the floor
|
Score
|
|
21
|
Extreme close up slow motion
|
Dog tags bounce on the floor
|
Score
|
|
22
|
Mid shot
|
Scientist grabs the leaver, pauses, then pulls.
|
Score
|
|
23
|
High angle – birds eye view mid shot which zooms into close up
|
Clint laying on the chair, his eyes close as the camera closes in.
|
Score
|
|
24
|
Match on action close up, zoom out to long shot.
|
Zoom out reveals clint in his new location
|
Score
|
|
25
|
Mid shot
|
Clint touches wall and it liquefies
|
Score
|
|
26
|
Wide angle
|
Clint turns to see his accomplice
|
Score
|
|
27
|
Over the shoulder shot
|
Accomplice speaks and fades to black during speech
|
‘so you are the one’
Score
|
|
28
|
Mid shot low angle
|
Of scientists face looking down, corner of book showing
|
‘to find’
Score
|
|
29
|
Pov shot
|
Scientist turning page to reveal a page missing
|
‘the missing page’
Score
|
|
30
|
Over the shoulder shot
|
Accomplice talking to clint
|
‘that holds the secret’
Score
|
|
31
|
Mid shot
|
Clint standing, cuts to black
|
‘lets do it’
Score
|
|
32
|
Black screen
|
Text saying’ this summer ‘
|
score
|
|
33
|
Mid shot
|
Clint walks out of castle
|
Score
|
|
34
|
Establishing shot
|
Shot of location
|
Score
|
|
35
|
Close up
|
Shot of rear view mirror looking at clint in back seat
|
‘we are sending you back in time’
score
|
|
36
|
Mid shot
|
Clint looking out of car window
|
Score
|
|
37
|
Dolly shot
|
Following antagonist into location
|
‘there will be many people trying to stand in your way’
score
|
|
38
|
Close up
|
Clint rolling up sleeve to reveal army tattoo
|
Score
|
|
39.
|
Close up
|
Clints face, taking deep breathe, cuts to black.
|
Score
|
|
40.
|
Black screen
|
Text saying ‘from the makers of only takes a second’
|
Score
|
|
41
|
Establishing shot
|
Clint in foreground villain in background, change from shallow to
deep focus.
|
score
|
|
42
|
Mid shot
|
Clint turns and runs at villain.
|
Score
|
|
43
|
Wide shot
|
Clint and villain running at each other, camera cuts as they collide.
|
Score
|
|
44
|
Black screen
|
Black screen
|
‘you are the final hope’
Score
|
|
45.
|
Hand held shot
|
They fight, clint in control.
|
Score
|
|
46
|
Close up
|
of villain drawing weapon
|
Score
|
|
47
|
Mid shot
|
Villain swings at clint
|
Silence
|
|
48
|
Black screen
|
Black screen
|
‘what the hell is happening’
Score
|
|
49
|
Mid shot slow motion
|
Clint falls to knees
|
|
|
50.
|
Close up
|
Clints face reaching out
|
Screams ‘NOOOOOO’
|
|
51.
|
Titles appear
|
Titles appear
|
|
Monday, 16 December 2013
shooting script for time marine
Labels:
josh sloane,
luke escott
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Good work, it would be helpful to have some indication of the nature of the score.
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